- “Is sound particular only to the physical world or is there sound in the other domains also?
There is sound there also.
- In the same way as here?
There certainly is a sound in all the manifested worlds, and when one has the appropriate organs one hears it.
There are sounds which belong to the highest regions, and in fact, the sound we have here gives the feeling of a noise in comparison with that sound.
For example, there are regions harmonious and musical in which one hears something which is the origin of the music we have here — but the sounds of material, physical music seem absolutely barbaric in comparison with that music! When one has heard that, even the most perfect instrument is inadequate. All constructed instruments, among which the violin certainly has the purest sound, are very much inferior in their expression to the music of this world of harmonies.
The human voice when absolutely pure is of all instruments the one which expresses it best; but it is still... it has a sound which seems so harsh, so gross compared with that. When one has been in that region, one truly knows what music is. And it has so perfect a clarity that at the same time as the sound one has the full understanding of what is said. That is, one has the principle of the idea, without words, simply with the sound and all the inflexions of the... one can’t call it sensations, nor feelings... what seems to be closest would be some kind of soul-states or states of consciousness. All these inflexions are clearly perceptible through the nuances of the sound.”
- Ēriks Ešenvalds, “Stars”
- Ola Gjielo, “Serenity (O Magnum Mysterium)”
- Ēriks Ešenvalds, “Long Road”
- Frank La Rocca, “O Magnum Mysterium”